Following on from what was a reported success at Slam Dunk South in Hatfield, today is the time for the Northern contingent to celebrate the alt music scene at Temple Newsam. Much was said about last year’s festival, but the organisers have promised to address all issues that were raised in their in-depth review of the 2023 festival, and with the feedback from Hatfield for the most part positive it is now only the rain that seems to be the over-riding concern. There’s an initial worry following the social media announcement that all car parking will be suspended due to overnight rain, but the organisers are quick to assure everyone that shuttle services from the city will be offered free of charge for all car park holders.
The arrival to site, despite the last-minute changes to many people’s plans, is relatively smooth and fans are eager to get into the ground to catch their favourite bands and discover new ones. This year the site is split into 5 stages: Slam Dunk Main Stage, GoPro Stage, Kerrang! Stage, Monster Energy Stage along with The Key Club Stage, with each stage offering a different host of genres for fans to listen to. In a switch from last year, there are only single stages and only one tent the ‘Kerrang! Stage’, which given the weather predictions is likely to be busy today!
Opening the Slam Dunk Main Stage, The Dangerous Summer have just rounded a few intimate shows in preparation for the festival and their latest single Pacific Ocean is well received. Closing the set with ‘Reach For The Sun’ feels pretty apt given the current weather!
As December Falls are up next and from the moment the band hit the stage, the energy is electric. Frontwoman Bethany Curtis’ powerhouse vocals draw in the crowds and even though their set is early in the day, they solidify their place as one of the most exciting acts in the current UK pop-punk scene.
A mere five years since their split, the exclusive festival reunion show from Mallory Knox was an exciting announcement from the organisers but unfortunately their set was plagued with technical issues which detracted somewhat from the anticipation. Despite the technical hitches, loyal fans are eager to sing through the set and support the band and with a UK tour already announced to celebrate the 10 year anniversary of Asymmetry, fans will get another opportunity to see them soon.
Next up is State Champs who unleash a barrage of high-octane punk, fast paced guitar riffs and punchy drum beats. Mosh pits erupt and bodies fly over the barrier as fans surrender themselves to the music.
Boys Like Girls storm the stage choosing to open with one of their biggest hits ‘Love Drunk’ and sandwich the set with it repeated in a medley along with ‘The Great Escape’.
The All-American Rejects keep the energy levels soaring with their infectious hooks and magnetic stage presence. Frontman Tyson Ritter commands the audience’s attention with his swagger and charm, delivering a performance that leaves a lasting impression on all who have waited a decade to see it. They end the set with ‘The Last Song’ in honour of touring musician’s Scott Chesak’s 13 year run with the band coming to an end today alongside a celebratory cake which manages to make its way into the crowd.
Finally it’s time for the headliners You Me At Six on what is billed as their last ever UK festival, before their farewell tour next year. The crowd erupts in a deafening roar as the band launches into a career-spanning set, charting their journey from humble beginnings to arena-rock royalty. With each anthemic chorus and blistering guitar solo, You Me At Six cement their status as one of the defining bands of their generation. Emotions run high as fans sing along to every word, cherishing this final opportunity to witness their heroes in action. As the final notes fade into the night, a bittersweet sense of closure hangs in the air. For many, this is a night they will never forget, a fitting tribute to a band that has soundtracked countless memories and milestones.
Over on the GoPro Stage, the anticipation is high with another packed schedule of bands. The Red Jumpsuit Apparatus takes the stage first, immediately captivating the audience with their signature blend of emo and post-hardcore vibes. From classics like “Face Down” to newer tracks, their performance is a nostalgic journey that has the crowd singing along with every word.
Set It Off follows, bringing their unique fusion of pop-punk and theatrical flair to the stage. Cody Carson commands the audience’s attention and hits like “Wolf in Sheep’s Clothing” and “Why Worry” have the crowd dancing and singing along, proving why Set It Off continues to be a force in the scene.
Welsh post-hardcore veterans The Blackout unleash their electrifying performance and with high energy alongside anthemic choruses, they have the crowd in the palm of their hand from start to finish. Tracks like “Save Ourselves (The Warning)” and “This Is Why We Can’t Have Nice Things” ignite mosh pits and sing-alongs, reminding everyone why The Blackout remains a beloved name in the genre.
Slam Dunk Festival’s Kerrang-sponsored stage in Leeds serves up a diverse and electrifying lineup, featuring Artio, Honey Revenge, Against The Current, Pale Waves, and Palaye Royale. From punk to pop-rock to alternative, the stage is a melting pot of musical styles that keeps the crowd on their toes and craving more.
Honey Revenge bring their infectious blend of punk rock energy and catchy hooks to the forefront. Frontwoman Emily Breeze’s fierce vocals command attention, while the band’s tight musicianship keeps the crowd moving and engaged. Tracks like “Girlfriend” and “Bad Taste” are anthems of empowerment and rebellion that resonate deeply with the audience. New track ‘Recipe for Disaster’ is also given a run out and Slam Dunk marks the band’s first ever UK festival appearance, but it’s sure to be the first of many.
Against The Current continues the momentum with their powerful pop-rock anthems and infectious energy. Frontwoman Chrissy Costanza’s powerhouse vocals soar over the guitars and rhythms, captivating the crowd from the first note to the last. Hits like “Running With the Wild Things” and “Voices” have everyone singing along at the top of their lungs, making for a truly unforgettable experience. Speaking about their new direction as an independent band, the band play ‘blindfolded’ which marks their first release without a label.
As the sun begins to set, Pale Waves takes the stage, enveloping the audience in a dreamy haze of synth-pop bliss. Frontwoman Heather Baron-Gracie’s ethereal vocals and shimmering guitars create a mesmerizing atmosphere that transports everyone to another world. Tracks like “There’s a Honey” and “Heavenly” are earworms that have the crowd swaying and dancing in euphoria. With a new album on the horizon, the recently released ‘Perfume’ is included in the set.
Palaye Royale are the penultimate band on stage, bringing their theatrical flair and rock ‘n’ roll swagger to the forefront. Lead singer Remington Leith commands the stage with his charismatic presence and vocals, while the band’s energy and catchy choruses have the crowd in a frenzy. Hits like “Ma Chérie” and “You’ll Be Fine” are the perfect ending to a day filled with unforgettable moments and incredible music.
Headlining the Kerrang! stage is Waterparks and as Awsten enters stage in a bejeweled red mask, the crowd erupt. Over the past few years, this band have seen their fanbase evolve into something that can only be described as next-level. Playing new song ‘SOULSUCKER’ the set was based on newer material but still had enough classics thrown in for all fans to thoroughly enjoy the set and close out the stage in style.
Following some of the issues last year, fans were deservedly cautious for this year’s festival, but despite the gold old British weather attempting to put a dampener on things, the festival continues to uphold its reputation as a premier destination for lovers of alternative music.
