On Good Friday, one of Liverpool’s most beloved cultural landmarks, the beautiful Royal Philharmonic Hall, opened its doors to Steve Cradock for an evening of musical storytelling. The evening was a beautiful sweeping journey of his solo work, intertwined with the iconic songs that helped define Ocean Colour Scene’s legacy.
It was my first time visiting and photographing the Philharmonic, and I’d been looking forward to it from the moment I told friends I was going. Their reactions alone hinted at the affection people hold for this place. Entering the venue was a little tricky though, having explored the entrances to the Music Room and Yoko Ono’s & John Lennon room, I was eventually ‘let in’. On entering, there was an immediate warmth that goes far beyond its impressive 1,700-seat auditorium. The Philharmonic is clearly a vital thread in the city’s cultural fabric where generations of Liverpudlians (and Stokies) have gathered to be moved, inspired, and transformed by music. Judging by the vibe of the room, Friday night with Steve was clearly going to be no exception.
Steve sat Centre stage (as you’d expect) but a lovely surprise was that he was joined by the stunning musical talents of wife Sally and son Cassius.
Opening the set with Mrs Jones, I was immediately immersed in auditory joy as this was one of my favourite songs from OCS’S 1997 B‑sides compilation ‘B‑Sides, Seasides & Freerides’. This made me excited to hear what else was in store.
The evening was a twenty‑strong list of musical delights for the ears, many of which I didn’t expect, so I was absolutely in my element. The atmosphere was warm and embracing and Steve’s playing had that effortless blend of precision and soul he’s known for. One standout from the first set was hearing “Baby Blue.” I can’t put into words the joy of hearing a P.P. Arnold song taken from her 2019 album The New Adventures of… P.P. Arnold, which Steve produced and co‑wrote tracks for. It was a moment to stop you in your tracks while you soak up the stillness.
What followed next was something equally beautiful. A moment that felt much bigger than the room itself when Steve dedicated the next song to the legendary Mancunian icon Mani. And as soon as he announced, “This is ‘Free on the Wind’,” the entire audience let out this soft, instinctive ahhhhh, Everyone knew they were about to hear something special. The song’s bittersweet lyrics that talk about yearning, release and the distant ache of wanting to feel free again, filled the air. Steve delivered it with such a tenderness, his voice wrapped in a delicate and fragile arrangement. The room fell completely still. You could hear a pin drop.
The first set ended, leading us to a short interval and over on the stage, the dog in the bag had finally woken up. Yes. You read that right. The family pooch, ‘Noodles’, is part of the tour entourage, though judging by his energy levels, he looked to be taking a more laid‑back approach to the rock‑and‑roll lifestyle. The buzz of the evening seemed to be a bit much for a dog of his vintage, so he opted for a nap inside a guitar case, completely unbothered by the audience or lights. The most chilled‑out (and cutest) roadie you’ve ever seen. After a short interval, the evening resumed (to my surprise) with ‘white line fever’. Having grown up with a healthy dose of Haggard and Cash being blasted through my dad’s speakers on a Sunday whilst my folks prepped for ‘Sunday dinner’, this was pure joy and took me right back. I’m actually smiling while I type this.
Steve wove his way through each song with effortless intricacy. Although every track had its own character, they all felt as though they belonged together. The setlist arrangement was nothing short of genius. As you’d expect, the Ocean Colour Scene songs had everyone singing along, not loudly, but in a soft, gentle whisper that was completely endearing. You could sense the audience savouring every second of the experience (myself included).
Huckleberry Grove (a personal favourite) and Traveller’s Tune were absolutely divine. And of course, The Riverboat Song was a huge crowd-pleaser, met with warm applause and whistles at the end. But for me, it was The Circle that illuminated the entire set. The tenderly delivered lyrics of this stunning song had the whole room transfixed by Steve. Once again, the audience joined in on the backing lines in soft whispers, totally magical to witness.
The evening drew to a close with “The Apple,” taken from Steve’s debut solo album — and my favourite track from that record. Written for and dedicated to his children, it carries a tenderness that hits a little deeper when you know its meaning. I’d actually started my night listening to this very song on the drive in, and it felt beautifully fitting to end the evening with it too. It brought the whole experience full circle, in a way that felt quietly profound and personal.
As the evening unfolded, I found myself realising just how rare an experience this tour truly is. Intimate storytelling and wholesome musical brilliance, delivered by one of the most influential legends of the past three decades, showcased the remarkable versatility of his career and his own unmistakeable sound. I tried to verbalise this during a post‑show chat with Steve but instead I managed to make a spectacular hash of it, going from “pro photographer” to “overexcited fan who really shouldn’t have been allowed to speak. I promptly apologised for my giddy outburst (whilst continuing to laugh).
The audience and myself were treated to intimate tales from years on the road, reflections on iconic recordings, and insights into songs that have become part of Britain’s cultural soundtrack and part of my own upbringing.
After the show, Steve took the time to chat individually with fans at the merch stand, where Sunny Cradock greeted every single purchasing punter with her beautiful radiant smile. The queue for Steve kept growing. People were eager for a few words, a handshake, a selfie, or a quick signature. While I was photographing this lovely little scene, the excitement started to spill over to me too. A few people stopped to tell me how much they’d enjoyed the evening and how impressed they were with Steve’s voice. One chap asked me “are you part of the family too?” which genuinely made me smile. It was a wholesome, joy‑soaked end to an already special night
Not unsurprisingly, the tour has been in high demand. Additional dates added (including Liverpool) following sell‑outs in several cities which is proof of Steve’s enduring/endearing appeal and the loyalty of fans. Travellers Tunes is a beautifully curated (and sometimes touching) evening of nostalgia, musicianship, and genuine connection. Warm, heartfelt, and musically captivating. Steve Cradock at his finest – grab a ticket. Your ears will thank me for it.
12 April – Shrewsbury, Buttermarket (Sold Out)
15 April – Isle of Man, Gaiety Theatre
16 April – Colne, The Muni
17 April – Stockport, The Forum Theatre
18 April – Scunthorpe, Plowright Theatre
22 April – Bridgwater, McMillan Theatre
23 April – Chandler’s Ford, Thornden Hall
24 April – Jersey, Drift Bar (The Drift, St Helier)
26 April – Fleet, The Harlington
29 April – Stockton Arts Centre (ARC)
30 April – Durham, Gala Theatre
May 2026
1 May – Barnsley, Civic
2 May – Scunthorpe, Plowright (second show)
3 May – Whitley Bay, Playhouse
6 May – Southport, The Atkinson
7 May – Lytham St Annes, Lowther Pavilion
8 May – Middlesbrough, Theatre
9 May – Morecambe, The Platform
10 May – Bakewell, Town Hall
13 May – Barnstaple, Queen’s Theatre
15 May – Stamford, Corn Exchange
17 May – Worcester, Huntingdon Hall
20 May – Melrose, Corn Exchange
21 May – Glasgow, Eastwood Park Theatre
22 May – Glasgow, Eastwood Park Theatre (Sold Out)
23 May – Edinburgh, Queens Hall
Steve Cradock Official Website
https://www.oceancolourscene.com
Words and Photos by Shavorne Wilbraham
